The Tonight Show Starring Jimmy Fallon


Written by jen on April 06 2024

Last night, Glen sat down with Jimmy Fallon to talk Hit Man and when he and his father met Matthew McConaughey.

Events > 2024 > Apr 5 | The Tonight Show Starring Jimmy Fallon

Photos: ‘Anyone But You’ Captures


Written by jen on February 20 2024

Nearly 900 UltraHD screen captures of Glen in Anyone But You have been added into the photo gallery. Be sure to purchase the film on your choice digital service!

Film Productions > 2023 | Anyone But You > Captures

Photos: Sundance Film Festival


Written by jen on January 23 2024

The photo gallery has been updated with event photos and portraits from the Sundance Film Festival this past weekend, along with a few photos from a Golden Globes party Glen attended earlier this month.

Events > 2024 > Jan 7 | Vas Morgan And Michael Brown’s 2024 Golden Globe Awards Party
Events > 2024 > Jan 21 | The Vulture Spot At Sundance Film Festival – Day 3
Events > 2024 > Jan 21 | Variety Sundance Studio, Presented by Audible – Day 3
Events > 2024 > Jan 21 | IndieWire Sundance Studio, Presented by Dropbox – Day 3
Events > 2024 > Jan 22 | 2024 Sundance Film Festival – Netflix’ “Hit Man” Premiere
Photoshoots > Portraits > Session 017
Photoshoots > Portraits > Session 018

Glen Powell’s Hot Pursuits


Written by jen on December 15 2023

Photoshoots > Outtakes > Session 040

BUSTLEThe famously nice star of Anyone But You isn’t afraid to fight for what he wants.
It’s been over 24 hours since Spotify Wrapped dropped, and Glen Powell seems to be the only person left on the planet who has yet to open his. Granted, he’s had some obligations that might have taken precedence over gazing at a personalized portrait of his own music taste: celebrating the holidays (at his old friend Paris Hilton’s #Slivmas last night), filming a Twister sequel (for which he’ll decamp to Oklahoma tomorrow), and promoting his latest film, Anyone But You (via photo shoots like the one we’re on the set of today). But because Powell is a famously polite, infectiously enthusiastic, self-proclaimed people pleaser, he’s willing to undergo this intimate ritual in front of me.

itting in a rented house in Laurel Canyon — with record-lined walls, vintage oriental rugs, and imposing wood beams — Powell whips out his phone. As the slideshow begins to load, I guess what Powell’s listening data will reveal. The actor, 35, is a proud Austin native and a Texas Longhorns superfan. He’s also a writer and film nerd, who instantly recognized Francis Ford Coppola’s lesser-known drama, Rumble Fish, when it came on in the background of the shoot. A soulful, introspective guy who’s not afraid to say things like, “The older I get, the more I look at my parents with awe at the fact that it’s really hard for love to survive 40 years in this world.”

So maybe Zach Bryan will clinch the top spot? Or he’ll endear me with some Lucinda Williams and Emmylou Harris?

Alas, the first song to be highlighted is “Unwritten,” by Natasha Bedingfield. Also known as The Hills’ theme song.

“I had to learn every word of this for Anyone But You,” Powell insists as the song blares off his phone. (I can confirm it is one of the movie’s best bits.) “Oh God, that is truly embarrassing if it wasn’t.”

Exposure to soaring, feel-good anthems is one of the hazards of being America’s current Top Rom-Com Guy. His big break was Set It Up, the 2018 Netflix movie that inspired countless think pieces saying that the rom-com was back after a long drought. After that, Powell was cast in Top Gun: Maverick, which inspired countless think pieces about how Hollywood was back post-pandemic. Now he’s in Anyone But You, a modern take on Much Ado About Nothing out Dec. 22. Co-starring Sydney Sweeney, whom he was briefly rumored to be dating (he’s not), it’s a classic enemies-to-lovers tale that sees a pair of arch-nemeses reunite at a destination wedding, where they pretend to be a couple.

But you will not hear Powell dissing romantic comedies, as The Kissing Booth star Jacob Elordi did recently. That’s partly because Powell is a scholar of the genre. He grew up watching The Wedding Singer with his two sisters, who teased him for sharing a name with the film’s villain, Glenn Guglia. (“When you look at movies, Glen’s always the asshole or the weird neighbor. I’m like, ‘God dang, man.’”) One of his first jobs in the industry was working for one of Hollywood’s most accomplished female producers, Lynda Obst, who was responsible for Flashdance, Sleepless in Seattle, and How to Lose a Guy in 10 Days. He started off as her intern, then was promoted to script reader, where he provided feedback on the many, many rom-coms that came across her desk. He became a student of the Hollywood system, understanding what makes a good script and what he had to offer to one.

So years later, when he discovered a rom-com that he knew checked those boxes, he didn’t care that the Washington Post had recently declared, “The rom-com is dead. Good.” He put his all into landing a role in Set It Up. (The movie was also the breakout for writer Katie Silberman, who went on to be Olivia Wilde’s go-to screenwriter. Powell and Silberman are still close. “I just talked to her last night,” he says.)

“I chased Set It Up so hard. I was working with the same producers on a movie called Sand Castle, but they didn’t really see me in the role [because] I don’t think anybody in my life would summarize me as a dick. I try to treat people well.” Powell’s executive assistant Charlie had to be cocky enough to represent his high-powered venture-capitalist boss, but kind enough to be an eligible match for Harper (Zoey Deutch), a far more earnest assistant. Powell says that the aggression he brings to set compensates for disposition: “As an actor, I am best on my front foot and I think that sometimes feels dickish on screen.” Meanwhile, Powell’s natural sweetness is what makes you root for Hangman, his Maverick character, in spite of his douchebaggery.

“I always liked masculine characters that took a punch, got back up, would bleed, and still fight. I always found that the characters that I liked were not necessarily the most badass characters on screen but guys like Harrison Ford or Kurt Russell,” says Powell, whose filmography is littered with military men, including John Glenn in Hidden Figures. (A rare, good Glen.) While making that movie, Powell says, “I went to a baseball game with Kevin Costner. He told me, ‘Choose the roles carefully, because at the end of the day, people sometimes can’t discern between who you are on the screen and who you are outside the screen. So make sure those two things line up as close as possible together.”

Powell’s magnetism is not what one might call “effortless.” His charm is dogged and earnest; it lies in the care and exertion he puts into every facet of his life. It’s there in the way he humors everyone on set by talking to them about their own Spotify Wrappeds, in the obvious work he puts into his eight-pack, and in his 20-year pursuit of this moment. “Hollywood, for some people, it serves it up,” Powell says. He mentions Charlize Theron getting discovered by an agent while arguing with a bank teller. “It’s not my path. I had to kind of fight a little longer and harder for it.”

Alongside Powell on the journey were his parents, with whom he is very close. His father, Glen Powell Sr., recalls the roller coaster of emotions that he and Powell’s mother, Cindy, felt when their son lost the role of Rooster in Maverick to Miles Teller, and then found himself in contention for another part in the project. They were driving up to Glacier National Park on a wedding anniversary trip and talking to Glen on the phone when he got the news. “He said, ‘Tom [Cruise] is calling. I got to take this.’” But Glen Sr. and Cindy were about to leave cellphone range. “So we pulled down and we found a place before we crossed over into Canada and sat alongside the road for about an hour,” says Powell Sr. “Then he called us and he goes, ‘I’m going to do Top Gun!’ I mean, [we were] literally, on the edge of the road and on the edge, but you never stop being a parent.”

John Stamos, who befriended Powell after filming a shower scene together on Scream Queens back in 2015, says that Powell has also long had many cheerleaders in the industry. “We’re all just like, this guy’s going to be the biggest star. It took a while, and then he did Top Gun and we thought, ‘Oh great.’” But Top Gun: Maverick began filming in 2018; it would be another four years before the movie came out. “It was starting to get like, ‘Oh sh*t, are we wrong about this guy? We can’t be wrong. He’s too f*cking talented. He’s too handsome. He’s too nice.’ And I’m glad to see that we weren’t.”

When Stamos took his family on a trip to the Powell family ranch in Texas, he learned that Powell takes throwing parties as seriously as his career. “Every day there was some theme party with 20 to 25 people, and when we got there it was ’80s day. I go, ‘I am the f*cking ’80s. Why do I have to dress up?’ But anyway, we’re out on this pier by a lake and the dude walks up, tackles me, and throws me into the water. I’m like, ‘Why?’ He goes, ‘Welcome to Texas.’ I’m like, ‘Go find my sunglasses.’”

Back in Laurel Canyon, Powell and I make our way through the backyard, up a set of stairs carved into a hill, to the house’s on-site music studio. They’re treacherous for a reporter wearing heeled loafers, and he springs to action assessing the terrain, then hovering behind me, advising me on the best route. Later, when he finds me standing too close in the road to a sweeper truck, he gently taps me on the shoulder and advises me to join him back on the sidewalk. None of these gestures feels showy or patronizing.

Powell, who broke up with his longtime girlfriend, Gigi Paris, this spring, grows slightly wistful when talking about relationships. He’s enjoying many of the fruits of what he calls having been “relentless and ruthless up until this point in my career.” Particularly, that he can now get writing projects of his, like the forthcoming Hit Man, which he co-wrote with Richard Linklater and stars in, off the ground. But he sounds a little like Drake at his mopiest when he elaborates on how lonely it is to be single and famous. “I’ve been talking to some people in my life and they’re like, ‘Glen, you’re a single guy. I know you’re trying to do all the right things in all the right ways, but you just have to embrace that those failures will be a little more public, a little more hurtful than maybe most people, maybe a little more embarrassing, but it’s OK. But when you’re going to fall, and you will inevitably fall in love, it’ll work,’” he says. Powell is not on Raya, and he says the only person he’s sharing his bed with these days is his rescue dog, Brisket.

When I mention to Powell’s dad that it can’t be all that hard for Glen Powell to get a date, he’s not blind to the irony. “[He’s] coming from a different angle, a different experience in life,” says Powell Sr., chuckling. “It will happen, for sure, but it’s a hard thing to see from his perspective. It’s hard [for him] to know what’s real, what’s not.”

It’s clear, talking to Powell, that he isn’t just a student of the rom-com as a film genre. He also thinks the pursuit of love is a serious, worthwhile subject matter. “There’s this study where they were talking about the difference between cornerstone and capstone relationships. Cornerstone relationships are where you get married young and you grow together so the relationship is the cornerstone of that. Then there’s capstone relationships, where you become two separate strong people, and the marriage is the capstone,” he tells me. “They were talking about what is more viable in terms of longevity. And the truth is there’s no difference, right? Love is unpredictable and you don’t know what’s going to have an expiration date and what’s not.”

Powell Sr., who is an executive coach, also gets in on the relationship analysis. “Glen has always, in his relationships, asked me to do some assessments for him to better understand himself and how he’s wired, but also for whomever he’s dating,” Powell Sr. explains. The actor’s goals are “to be honest with who he is, what his strengths are, where some blind spots might be.” “But not everybody’s open to that,” Powell Sr. adds.

Recently, Powell was invited to a celebration of the Tuskegee Top Gun in Washington, D.C., where his parents lived when they were dating — and where his dad proposed to his mom during their weekly picnic at the Jefferson Memorial. And the event just happened to coincide with the 40-year anniversary of their engagement. Powell couldn’t resist. He brought them along. He served as photographer for the moment when his dad got back down on one knee. He posted his own photo, beaming in a selfie with the pair after his mom said “yes.”

“It’s really fun to see your parents be romantic,” he tells me. “I know that sounds weird, but they’re goofy and really fun.” He says his parents tell him that’s the key to a lasting relationship, making sure to enjoy each other, finding the humor even in the dark stuff. “If I could have what my parents have, I’d be really, really happy.”

Glen Powell and Sydney Sweeney Take Us Behind the Scenes of Anyone but You


Written by jen on December 13 2023

VANITY FAIRThe headline-making costars peel back the curtain on their romantic comedy, from the screening of My Best Friend’s Wedding that inspired them to a When Harry Met Sally–esque cameo from Powell’s parents.
Few films generate as much prerelease buzz as Anyone but You, a romantic comedy starring Glen Powell and Sydney Sweeney that made early headlines thanks to rumors of an offscreen romance between the costars. Both actors have shrugged off the speculation, a tactic Powell credits to one of his famous former costars.

“I remember after I did Top Gun, Tom Cruise gave me some advice,” he tells Vanity Fair. “He said, ‘When this movie comes out, things are just going to get really loud, a little more chaotic. It’s your job to just turn down the volume. You can hear it at whatever volume you want.’ That’s been a great piece of advice for me, because it helps you to just enjoy the journey. You can turn it up or you can turn it down and just sort of coast, because at the end of the day, it’s all noise.”

Directed by Easy A’s Will Gluck and adapted from a script he cowrote with Ilana Wolpert, Powell and Sweeney star in the film as Ben and Bea. After a brief romantic encounter goes sideways, the couple is forced back together for their loved ones’ destination wedding. The characters are named after Benedick and Beatrice, the warring coleads of Shakespeare’s Much Ado About Nothing. The iconic duo was last brought to life onscreen by then married couple Emma Thompson and Kenneth Branagh in 1993.

“I grew up loving rom-coms,” Sweeney, who is best known for her roles on TV’s Euphoria and The White Lotus, tells VF. “There’s just such a beautiful nostalgia to them, and I miss leaving a theater filled with happiness and joy and love and wanting to go back and see it again. I really hope that everyone can feel the amount of love and excitement and how special this experience was onscreen.”

Both Sweeney and Powell wanted to harken back to “the theatrical rom-com, something with big scope and big heart and big laughs,” he says. “Not a lot of people think that thing is meant for theaters anymore, and we set out to prove them wrong. And I think we did it.”

During production in Sydney, Australia, cast and crew screened 1997’s My Best Friend’s Wedding, which featured performances by two more Anyone but You stars: Dermot Mulroney and Rachel Griffiths, who play Bea’s parents. Mulroney imparted some valuable wisdom to his castmates: “Don’t look down on the rom-com,” he said, according to Powell. When he made the movie, Mulroney continued, “I felt a little weird about it as a man being in a rom-com.” He advised his costars not to follow his lead: “Really embrace this movie, because to represent love for people on the big screen is one of the greatest privileges of your career.” Mulroney hadn’t seen the film since 1997, says Powell, “so it was an interesting, emotional time capsule to be with him.”

Their characters pay tribute to another genre classic—1989’s When Harry Met Sally—during a witty exchange on an airplane. In that film’s famous diner scene, director Rob Reiner’s mother, Estelle, coyly delivers a now classic line: “I’ll have what she’s having.” Anyone but You’s version involves Powell’s actual parents—Glen Sr. and Cyndy—who also appear in the film, sitting nearby as Sweeney’s character inadvertently straddles a snoozing Powell. “All the moves that she’s doing right to my face are done right in front of my parents on that airplane,” Powell says with a laugh. “My parents make a cameo in every movie I do. But Sydney was really very instrumental in giving them that placement—she got them VIP access, as she does with everybody.”

Plenty of awkwardness ensues during Ben and Bea’s fake-dating conceit. At one point, while plotting how they’ll pull off their ruse, Bea says, “we’re all in seventh grade when it comes to this shit.” When asked about their own adolescent follies, Sweeney remembers when a childhood friend with whom she was “madly in love” gave her a ring on Valentine’s Day. “Then everyone was making fun of him the next day, and he stomped it,” she says. “It broke my heart.”

An amused Powell chimes in. “He had Sydney Sweeney as his fiancée in seventh grade—he lost it, and lost the deposit on the ring?” he asks. “It feels like a sad rom-com in itself. That’s going to be the redemption story that we’re really talking about. He’s going to put together the pieces of that ring and come back for Sydney’s heart.”

Powell and Sweeney keep bantering as they reminisce about shooting in Australia—nights spent camping out on the beach, and a day of filming that they’ll never forget. At one point in the movie, Ben and Bea are all dressed up for a pivotal conversation outside of an iconic Australian landmark. “That day while we were shooting that scene, Barack Obama happened to be visiting the Sydney Opera House,” says Powell. “I’ve never had a set visit from the president before. As a grand romantic gesture, I brought Barack Obama. Just one of those Barack Obama slow claps in the distance.”

As they wait for Anyone but You to hit theaters December 22, Sweeney and Powell hope audiences feel as strongly about the film as they do. “A great rom-com is really the kitchen sink of the feels,” says Powell. “You get two people that hate each other, and then they love each other so much, and they’re vulnerable. Then they laugh…. The reason why people get sentimental about rom-coms is that it really is everything that movies should be. You want to revisit them. It’s like comfort food.”

They also hope viewers will leave the theater quoting some of the film’s most memorable moments—or singing a few off-key renditions of Natasha Bedingfield’s “Unwritten,” which gets a lot of airtime in the movie. “[If] my career does not go well, I’ll be singing this at birthdays and bar mitzvahs for the rest of my life,” Powell jokes. “I’ll be on Cameo, singing ‘Unwritten’ for anyone.”

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